by Mary McClellan
Introduction
Feedback for LLI courses and programs is overall positive. Our membership generally expresses appreciation for the quality of our presenters and the caliber of their course content. The most frequently cited area of dissatisfaction with LLI has been the difficulty many members have experienced when trying to register for courses.
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by Anne Botsford
Introduction
The music of The Orchestra Now (TŌN) first drew me to Bard, which is only 45 minutes from Poughkeepsie, where I live. I’d previously traveled by train for two hours to NYC for my essential music, but I attended TŌN concerts a few times with friends.
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by Felice Gelman
Introduction
Twenty-five years ago, four women, members of a Red Hook Library book group—Sylvia Erber, Sara Hardman, Carol Lee, and Josette Lee—agreed that the area needed affordable high-quality education for seniors. The Marist College Center for Life Time Study had a years-long waiting list. There were no nearby alternatives.
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by Sara Hardman with Felice Gelman
Sara Hardman was LLI’s first president.
Introduction
Planning for the creation of LLI began in the winter of 2000. The idea had developed in a book group at the Red Hook Library when Sara Hardman and several other women expressed their frustration at the long waiting list at Marist’s Center for Lifetime Study.
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by Mary McClellan
Introduction
Billed in the LLI catalog as studio discussions with six working artists who live in our hyperlocal area, “Deep Dive into Abstract Art“ emerged as a bright star in our fall semester galaxy that contained several stars. Produced by L. Walker and curated by abstract artist Jean Feinberg,
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by Barb Renfro
Introduction
You arrive early for a performance at the Fisher Center for the Performing Arts. You stroll around and walk over a short bridge, as well as through an archway of criss-crossing, interlaced stainless steel rods. Maybe you don’t even realize this is an art installation—you just want to walk and sit,
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by Deborah Lanser
Introduction
The fall courses were generally a hit. There were 253 responses to the evaluation form, which confirms a high rate of involvement. The course content was widely praised; 89% of respondents rated it 4 or 5. Presenters were likewise appreciated, with 94% being rated 4 or 5.
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by Eleanor Wieder
Introduction
As Robert Beaury mentions in his message this month, Bard LLI can proudly celebrate 25 years of building a community of people who share a lifetime love of learning. The breadth and depth of the courses we offer is extraordinary, as is apparent in the fall 2024 course catalog.
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by Gretchen Lytle
Introduction
The Hessel Museum of Art at Bard is a wonderful resource for the larger community. Currently, there are three exhibitions underway, each of which is quite distinct in organization, character, and tone. In light of LLI’s commitment to social justice issues, the exhibition Carrie Mae Weems: Remember to Dream beckons us in.
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by Robert Inglish and Fern Fleckman
Introduction
If you are a new member or a returning member who has not yet been on campus, there are important steps to take. You need to register your car, get your parking hangtag, and secure your Bard student ID (optional). Here are the basics.
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